I
As if a trespasser
unbolted a forgotten gate
and ripped the growth
tangling its lower bars –
just beyond the hedge
he has opened a dark morse
along the bank,
a crooked wounding
of silent, cobwebbed
grass. If I stop
he stops
like the moon.
He lives in his feet
and ears, weather-eyed,
all pad and listening,
a denless mover.
Under the bridge
his reflection shifts
sideways to the current,
mothy, alluring.
I am haunted
by his stealthy rustling,
the unexpected spoor,
the pollen settling.
II
I was sure I knew him. The time I'd spent obsessively in that upstairs room bringing myself close to him: each entranced hiatus as I chainsmoked and stared out the dormer into the grassy hillside I was laying myself open. He was depending on me as I hung out on the limb of a translated phrase like a youngster dared out on to an alder branch over the whirlpool. Small dreamself in the branches. Dream fears I inclined towards, interrogating:
— Are you the one I ran upstairs to find drowned under running water in the bath?
— The one the mowing machine severed like a hare in the stiff frieze of harvest?
— Whose little bloody clothes we buried in the garden?
— The one who lay awake in darkness a wall's breadth from the troubled hoofs?
After I had dared these invocations, I went back towards the gate to follow him. And my stealth was second nature to me, as if I were coming into my own. I remembered I had been vested for this calling.
III
When I was taken aside that day
I had the sense of election:
they dressed my head in a fishnet
and plaited leafy twigs through meshes
so my vision was a bird's
at the heart of a thicket
and I spoke as I moved
like a voice from a shaking bush.
King of the ditchbacks,
I went with them obediently
to the edge of a pigeon wood –
deciduous canopy, screened wain of evening
we lay beneath in silence.
No birds came, but I waited
among briars and stones, or whispered
or broke the watery gossamers
if I moved a muscle.
'Come back to us,' they said, 'in harvest,
when we hide in the stooked corn,
when the gundogs can hardly retrieve
what's brought down.' And I saw myself
rising to move in that dissimulation,
top-knotted, masked in sheaves, noting
the fall of birds: a rich young man
leaving everything he had
for a migrant solitude.
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