A plane crashes on a desert island and the only survivors, a group of schoolboys, assemble on the beach and wait to be rescued. By day they inhabit a land of bright fantastic birds and dark blue seas, but at night their dreams are haunted by the image of a terrifying beast. As the boys' delicate sense of order fades, so their childish dreams are transformed into something more primitive, and their behaviour starts to take on a murderous, savage significance.
The Inheritors
This was a different voice; not the voice of the people. It was the voice of other.
When the spring came the people moved back to their familiar home. But this year strange things were happening – inexplicable sounds and smells; unexpected acts of violence; and new, unimaginable creatures half-glimpsed through the leaves. Seen through the eyes of a small tribe of Neanderthals whose world is hanging in the balance, The Inheritors explores the emergence of a new race – ourselves, Homo sapiens – whose growing dominance threatens an entire way of life.
Pincher Martin
Drowning in the freezing North Atlantic, Christopher Hadley Martin, temporary lieutenant, happens upon a grotesque rock, an island that appears only on weather charts. To drink there is a pool of rain water; to eat there are weeds and sea anemones. Through the long hours with only himself to talk to, Martin must try to assemble the truth of his fate, piece by terrible piece. Pincher Martin is a terrifying and unforgettable journey into one man's mind.
The Pyramid
Oliver is eighteen, and wants to enjoy himself before going to university. But this is the 1920s, and he lives in Stilbourne, a small English country town, where everyone knows what everyone else is getting up to, and where love, lust and rebellion are closely followed by revenge and embarrassment. Written with great perception and subtlety, The Pyramid is William Golding's funniest and most light-hearted novel, which probes the painful awkwardness of the late teens, the tragedy and farce of life in a small community and the consoling power of music.
Free Fall
Somehow, somewhere, Sammy Mountjoy lost his freedom, the faculty of freewill 'that cannot be debated but only experienced, like a colour or the taste of potatoes'. As he retraces his life in an effort to discover why he no longer has the power to choose and decide for himself, the narrative moves between England and a prisoner-of-war camp in Germany. In Free Fall, his fourth novel, William Golding has created a poetic fiction, and an allegory, as moving as it is unforgettable.
The Spire
Dean Jocelin has a vision: that God has chosen him to erect a great spire on his cathedral. His mason anxiously advises against it, for the old cathedral was built without foundations. Nevertheless, the spire rises octagon upon octagon, pinnacle by pinnacle, until the stone pillars shriek and the ground beneath it swims. Its shadow falls ever darker on the world below, and on Dean Jocelin in particular.
Darkness Visible
Darkness Visible opens at the height of the London Blitz, when a naked child steps out of an all-consuming fire. Miraculously saved but hideously scarred, soon tormented at school and at work, Matty becomes a wanderer, a seeker after some unknown redemption. Two more lost children await him, twins as exquisite as they are loveless. Toni dabbles in political violence, Sophy in sexual tyranny. As Golding weaves their destinies together, his book reveals both the inner and outer darkness of our world.
Rites of Passage
Sailing to Australia in the early years of the nineteenth century, Edmund Talbot keeps a journal to amuse his godfather back in England. Full of wit and disdain, he records the mounting tensions on the ancient, sinking warship where officers, sailors, soldiers and emigrants jostle in the cramped spaces below decks. Then a single passenger, the obsequious Reverend Colley, attracts the animosity of the sailors, and in the seclusion of the fo'castle something happens to bring him into a 'hell of degradation', where shame is a force deadlier than the sea itself.
Close Quarters
In a wilderness of heat, stillness and sea mists, a ball is held on a ship becalmed halfway to Australia. In this surreal, fête-like atmosphere the passengers dance and flirt, while beneath them thickets of weed like green hair spread over the hull. The sequel to Rites of Passage, Close Quarters, the second volume in Golding's acclaimed Sea Trilogy, is imbued with his extraordinary sense of menace. Half-mad with fear, with drink, with love and opium, everyone on this leaky, unsound hulk is 'going to pieces'. And in a nightmarish climax the very planks seem to twist themselves alive as the ship begins to come apart at the seams.
Fire Down Below
The third volume of William Golding's acclaimed Sea Trilogy. A decrepit warship sails on the last stretch of its voyage to Sydney Cove. It has been blown off course and battered by wind, storm and ice. Nothing but rope holds the disintegrating hull together. And after a risky operation to reset its foremast with red-hot metal, an unseen fire begins to smoulder below decks.
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